Saturday, July 19, 2014

A Year of Reading, Week 28/29

Books read (all or part of) this week:
The Travels of Daniel Ascher by Déborah Lévy-Bertherat
Wolf Winter by Camilla Ekbäck
The Lost Boys Symphony by Mark Andrew Ferguson
Mort(e) by Robert Repino
All the Light We Cannot See by Anthony Doerr (again)
The End of Night: Searching for Natural Darkness in an Age of Artificial Light by Paul Bogard

Some weeks, this "post-a-week" deal is a terrible albatross. ("Terrible" being relative, of course.) So, not for the first - nor the last time, I missed a week and am doubling up in a catch-up posting. Deal with it, dear reader. 

Don't blame the mailman



My reading life is not my own for the moment. Which is okay, really. I mentioned in a previous post (before the big David Mitchell reveal) that I'm on this panel for an ABA program called Indies Introduce. Publishing houses (big & small) select forthcoming works from debut authors of theirs and our panel of nine expert booksellers from all over the country read them all and pick the consensus Top Ten. Those ten will be promoted and displayed and handsold by booksellers across the land when they are published next Winter - just as a way to put some outstanding debuts in the forefront where they normally might get lost in the shuffle. So manuscripts and galleys have been arriving daily at my home stoop & I've been chipping away at my assignments. To date, 28 manuscripts have arrived (see above stacks, much to the wife's dismay) and the mailman hasn't delivered yet today.

Here's a rundown of what I've read so far:

Wolf Winter by Cecilia Ekbäck - not completely sold on this one yet. One of the rules of the judging is that we have to read at least 50 pages before making an assessment - and I've read 188 of Wolf Winter so far. So I'm in it, but I'm not sure if it's because it's a great piece of fiction or if I just want to see where things are going. Set in in a rural community in Swedish Lapland in 1717 during one of the worst winters anyone can remember. A guy turns up dead - very much so, actually, torn to pieces in an especially violent way. No one is sure if he was killed by wolves or butchered by a person. Intriguing - it's a different setting, for sure. But there's also this "I see dead people" thing going on that keeps me at bay. Shelved for further assessment.


Meow. Stab, stab, stab.
The Travels of Daniel Ascher by Déborah Lévy-Bertherat - loved it. Definitely voting - strongly - to pass this one through to the next round. A slim little volume that was a bestseller in France last year, apparently, it reminded me of Shadow of the Wind, maybe a little of Calvino, and even All the Light We Cannot See, actually. Hélene has never been as enamored with her elusive great-uncle Daniel as her brother has, but when she moves into the apartment above Daniel's in Paris, she becomes increasingly curious about who he really is. Daniel has written 25 wildly successful adventure novels for young people under a pen name, but Hélene feels she barely knows the man. What is he hiding behind the kindly-uncle-facade? Has he really lived the life he claims, traveling the world, having adventures or is it all just storytelling? Where does he really go when he leaves the apartment to work? What begins as a straightforward curiosity for Hélene, becomes a dark journey into her family's past - and nothing she discovers is what she expects. Just fantastic.

The Lost Boys Symphony by Mark Andrew Ferguson - just getting started, not sure about it yet. It has some great potential, at least based on the premise. After his girlfriend breaks up with him, Henry starts to go a little crazy - hallucinating, wandering New York City, hearing strange music. At one point, on the George Washington Bridge, he blacks out and wakes up in the Catskills in the company of his 41-year old and 80-year old selves. And that's about where I am at the moment. A great hook, but I'm not completely sold on the prose yet.

Mort(e) by Robert Repino - another with tremendous potential that the jury's still out on. An insane, brilliant premise: for thousands of years, a giant Colony of super-intelligent ants has been gathering their strength to conquer the surface world. Now is the time to strike - and wipe the destructive human race off the face of the planet. Aiding the ants in their war against humanity are all the other surface animals - transformed into sentient, bi-pedal killing machines bent on loosing the world from the shackles of their human oppressors, creating an animal utopia of peace and harmony. (Our "hero" is a walking, talking, killing house cat, formerly known as Sebastian, now Mort(e).) Despite the set-up, there are a lot of holes in the plot and the prose, so it remains to be seen whether I can overlook all that. The writing seems several steps ahead of the story all the time - like the author is writing it stream-of-consciousness-like. "Oh, and another thing, this beagle drives a sanitation truck. Yeah!" I know I'll pass it along to the next round - it's just too crazy not too - but I'm curious to see both what other judges think as well as where the story ends up.

And in between all of this I've been re-reading Tony Doerr's All the Light We Cannot See in order to prep for the big event on July 30. He's going to show a slide show about the research he did for the novel - which took ten years to craft - and we're going to have a little chat, he and I, and try and draw a little more out about his writing, his characters, and the like. I know you'll be there, dear reader. See you on July 30 at 7:30 - Warwick's, 7812 Girard in La Jolla.

Monday, July 07, 2014

David Mitchell - Alive and in San Diego!

This is not a cruel joke or a test of some sort. This is really happening:

The real David Mitchell.
Live and in person.
Yes, THAT David Mitchell.
In conversation with yours truly.

Buy your tickets right now, through Warwick's, right here on Eventbrite 
(Tickets include a copy of The Bone Clocks.)


Have a burning question for Mr. Mitchell? Other event questions? Publicity questions? 
Let me know: seth@thebookcatapult.com 




A Year of Reading, Week 27

Books read (all or part of) this week:
The Laughing Monsters by Denis Johnson
Colorless Tsukuru Tazaki and His Years of Pilgrimage by Haruki Murakami
Wolf Winter by Cecilia Ekbäck

This reading week - also a holiday - flew by without much actual reading going on. We drove up to Santa Cruz to visit family and, due to an enthusiastic young nephew, I read about 20 pages in 4 days. Not such a bad thing, really.

I did finish Denis Johnson's next book - The Laughing Monsters (out November 2014) - which was like Hunter S. Thompson visiting the darkest heart of Africa. (Without the ether and the poppers.) It's complete madness contained within a 200-page novel - double-crosses, double-double-crosses, lying, cheating, trickery, craziness, boozing, spying, and mayhem. Maybe Roland Nair is a NATO operative keeping tabs on one Michael Adriko in Sierra Leone. Or maybe he's actually Michael's friend and they're working on the score of a lifetime? Or perhaps Nair is a Danish operative? Wait, maybe he's an American... And is Adriko a Green Beret? Or Ghanaian? Or just a drug smuggler? Or is is enriched uranium? You know what, I think everyone is lying to me, actually. It's bad craziness and... I kind of loved it. I felt like I was dropped into the middle of a 25-year long conversation, had almost no idea what was happening around me for 200-pages worth before I was sucked back out to my own life. Which now feels emptier somehow. 

Johnson has now written - among other things - a seminal Vietnam War novel, a series of short stories about alcoholic losers, an atmospheric meditation on an early-20th century everyman, and this - a crazy, whirlwind spy-novel-ish adventure through West Africa. Amazing.

~~~~~~~~~~~~~~~

I'm also part of this selection committee for Indies Introduce - an American Booksellers Association (ABA) program that twice a year selects debut authors for independent bookstores around the country to champion. The panel (all booksellers) reads through the submissions from publishers and picks the cream of the crop - so extra books have been showing up at my front door for the last week or so. Guaranteed to keep me busy - but I'm super psyched to be a part of it. More on that as I move along, I'm sure.

And just a reminder: 

Anthony Doerr 
in Conversation with The Book Catapult 
on Wednesday, July 30th, 7:30pm


Sunday, June 29, 2014

A Year of Reading, Week 26: Station Eleven

Books read (all or part of) this week:
Station Eleven by Emily St. John Mandel
The Laughing Monsters by Denis Johnson


If 99.999% of the human population on earth were to perish in a superflu pandemic and you somehow, miraculously, managed to survive, what would you miss the most? Chocolate chip cookies? Air travel? Shakespeare in the park? Your laptop? iPhone? Uh... your family?

I know, it sounds like we've been down this road before - Seth likes a book about a global flu pandemic that leaves a sliver of humanity as stewards of the planet. But Emily St. John Mandel's new novel, Station Eleven (on-sale September 9) is right in Dog Stars territory, I'm tellin' you. That good.

There's one of those "notes from the editor" letters in the front of the galley I have - most advance reading copies have these things & I rarely pay any attention. But this actually made comparisons to the aforementioned Dog Stars, as well as the holiest-of-holy's, ye olde Cloud Atlas. Oh really, dear editor?

Arthur, Jeevan, Kirsten, Clark, and Miranda are our primary players in this post-apocalyptic drama. Arthur Leander, famous actor, drops dead on page 2, but definitely remains the central figure - his actions throughout his life informed the lives of the others as a sort of butterfly effect. Within a few hours of Arthur's death - a heart attack, perhaps, while performing the lead role in King Lear - the devastating Georgian Flu begins coursing across North America, taking the vast majority of humanity with it. Mandel punctuates this sobering fact absolutely chillingly, perfectly, within the first few pages. When Arthur dies at this theater in Toronto, the city is on the cusp of a massive snowstorm and in the sad immediate aftermath of Arthur's demise, his fellow actors and a handful of theater people gather in the theater bar as the snow begins to fall to talk about Arthur. Who should we call? Did he have any close family? (A sad fact in itself, considering his celebrity.) Gossip about his divorces, his young son, a toast to the man - we are lulled into a sense of ease, settling into this story about Arthur. Then this, to close the chapter:
Of all of them there at the bar that night, the bartender was the one who survived the longest. He died three weeks later on the road out of the city.
Oh shit.

This isn't really about Arthur at all! It's about this horrible pandemic! We're all doomed!

Remain calm. The novel moves forward and back in time, filling in the gaps in the life stories of these five people - and gradually revealing the connective threads between them all. Clark is Arthur's oldest friend; Miranda was his first wife; Jeevan (among several David Mitchell-worthy connections) was the first person to rush from the audience when Arthur collapsed on stage; and Kirsten was an 8-year-old actress in the play that fateful night, but survived the flu and reappears as part of a traveling group of actors and musicians 20 years after the end of civilization. She was young enough - and seemingly traumatized enough by the pandemic aftermath itself - that she doesn't remember much of the old world, filled with electric light and modern convenience. The world of this future is not as violent and horrifying as many post-apocalypse novels may be. Certainly not as terrifying as some of the things Hig does to survive in The Dog Stars - and we definitely see nothing like a Cormac McCarthy baby-barbecue in this. Really the plague was so all-inclusive that there just aren't enough people left and the ones who survived seem to just want to live in peace. There are actually two factions of people living in this post-flu world - those that remember how good we had it and those who don't. 

And that seems to be an underlying theme to this: we do have it pretty good right now, at this particular point in human history. Many of us in the world are comfortable and have every creature comfort we could ever imagine, yet we take it all for granted on a daily basis. 

I can't believe my cell phone just dropped that call. 
This traffic jam is ridiculous. 
How is this international flight delayed right now?
Ugh, I'm out of coffee.
No more diving into pools of chlorinated water lit green from below. No more ballgames played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities.
What would life be like if it were all torn from our grasp in an instant? What if everyone you knew was gone in a month's time? Literally everyone. What would become important to you in light of that? 

That right there is what this magnificent, lyrical novel is about - recognizing that actual human connection is the most important element to human life. (There's that Cloud Atlas similarity.) We are nothing without each other - just animals roaming the wasteland, muttering to ourselves. Arthur serves as the lynchpin connecting the lives of these other people, but only peripherally. I think, more than anything, with his celebrity status in the pre-apocalypse world, Arthur shows us how inconsequential and truly fleeting fame really is and that there is much more below the surface of the things we deem important or worthy in our current world. Once all the trappings of modernity are stripped away, what is left?

The Dog Stars, The Son, Everything Matters!, A Constellation of Vital Phenomena, Jacob de Zoet - Station Eleven is firmly in the company of some of the best books I've read in the last few years. Above some, even. Mandel's prose is fluid, emotive, and airy - yet there is a palpable tension to everything, hanging over every conversation, every act. (See previous references to a global pandemic and massive loss of human life.) But the thing is, I was never in doubt that this was the way we would behave if faced with the terrible reality of such a devastating collapse of human life. Tense, yes, of course, but it seemed a much more optimistic - and frankly, refreshing - view of a potential post-apocalyptic world. We regroup, we refocus, we reevaluate - and we move on and try to make the world worth living, however we can. Hey, as long as we've got each other - whoever we are, whatever we're left with - I'm okay with that.

Sunday, June 22, 2014

A Year of Reading, Week 25

Books read (all or part of) this week:
Red or Dead by David Peace
Further Joy: Stories by John Brandon
The End of Absence: Reclaiming What We've Lost in a World of Constant Connection by Michael Harris

I didn't finish any of the books I was reading this past (birthday) week, but here's a quick rundown:

Red or Dead by David Peace is an insanely obsessive biographical novel about legendary soccer coach Bill Shankly. Shankly brought the Liverpool Football Club to national prominence in England's Premier League in the '60's and early '70's, winning three First Division championships, 2 FA Cups, and a UEFA championship. The prose style to this is hard to describe - "obsessive" is the word that I keep coming back to. It's repetitive, methodical, and metronomic - much like a back-and-forth soccer match, I suppose. A sampler: 
And in the sunshine. The lovely, spring sunshine. The new Champions of England ran around the pitch. The Anfield pitch. In the sunshine. The lovely, spring sunshine. The new Champions of England ran a lap of honour around the ground. The Anfield ground. In the sunshine. The lovely, spring sunshine. Ron Yeats carried the trophy around the stadium. The Anfield stadium. In the sunshine. The lovely, spring sunshine. 
Etc. Etc. It's weirdly hypnotic and I find it hard to tear my eyes away while I'm in it, yet often can't bring myself to go back once I leave. Great for reading between World Cup matches though.

John Brandon's first collection of short stories, Further Joy, is a bit of a David Peace antidote, in a way. I've been a fan of Brandon's for a while - his three novels Arkansas, Citrus County, & A Million Heavens have all gotten The Book Catapult write-up and/or been Catapult Notables. His characters always hang just at the fringes of acceptable behavior, yet have a strange magnetic pull to them that cannot be denied. I've read five of these new stories so far & met a manipulative down-on-his luck gambler, witnessed a burgeoning May-December relationship, visited a weird Rapture-stricken town, and followed a young woman with nowhere to go in a small, swampy Florida town. Weirdos and aimless wanders all, wondering where to point their ships and how to approach the next phase of life. And they're wonderful.  

And The End of Absence by Michael Harris - just started dipping into this startling, poignant nonfiction piece. We are the last generation to remember life without the internet. We all carry an infinite wealth of information around in our pockets. We are never alone, always connecting with people all over the globe, yet do we know how to interact with each other face to face anymore? What does this mean? Socially, personally, genetically? Are we rewiring our brains for the better or worse? A fascinating subject - and one that makes me want to slow down, unplug, stop staring at this screen...

A Year of Reading, Week 24: About Grace

Books read (all or part of) this week:
About Grace by Anthony Doerr
Red or Dead by David Peace
Am I following a path already laid out for me, or am I making it myself?
Is the book that changed your life a decade past still relevant 10 years later? If your 28-year-old self was profoundly affected by some element of a story, would your 38-year-old self feel the same way? Would you even know where to look, where to be affected? I read Anthony Doerr's debut novel, About Grace sometime in late-2004 and it blew my fragile little bookseller mind. I have literally sold hundreds of copies of the book to the people of San Diego - for a period of 2 or 3 years there I was recommending it to every customer I spoke to in the bookstore where I worked. My l'il shelftalker/elevator pitch for the last few years:

Of all the contemporary novels I have read in the last decade or so, Doerr’s first full-length novel stands out as an elegant, heartbreaking, and truly graceful piece of writing that has really stuck with me. A story of dreams & water, fathers & daughters, love, exile, and redemption. Protagonist David Winkler makes some poor life choices, although we have the benefit of a reader’s hindsight, but I found his lifelong journey towards the possibility of redemption to be almost overpoweringly compelling. Profoundly moving, erudite, & extremely well-crafted, this is really, truly, one of the best books I have ever read in my life.

As I'm sure you're aware, dear reader, Anthony Doerr will be here in San Diego on July 30th - an "in conversation" event with yours truly (aka: The Book Catapult) at Warwick's bookstore in La Jolla. So, in preparation for this, I've been steadily re-working my way through Doerr's canon of work - short stories, essays, novels. Everything. And so I found myself returned to the doorstep of this novel - his first - About Grace, which affected me in such a profound and heady way ten years ago. I wanted to see, for one, if it stands up as well in reality as it has in my own head, but also to see if I would be as moved by it on the second go round. I find reading fiction to be such a personal venture - sure, everyone can read Gone Girl and get whatever it is people get out of that, but some works have so many layers and facets to them that each reader may connect with a different character, a different scene, a different sentence than the person reading it right next to them. (An argument can be made, I'm sure, that Gone Girl has the same multi-layered, reader-to-reader effect, but I'm not getting into that nonsense right now.)

Here's the basic setup for Grace, before I get too far down the rabbit hole:

David Winkler is a lonely hydrologist from Alaska - he obsessively studies ice crystals in snowflakes & muses on evaporation and the circular patterns of water on our planet. And he dreams - but not like you and I, exactly. Sometimes, he dreams innocuous, innocent instances of life that end up "disbanding into fragments he could not reassemble" when he wakes, but that always come true in real life. Dreams of the overhead compartment on a plane opening and a bag falling out, a woman dropping a magazine in a supermarket line. Always he finds himself living inside the dreams as they unfold in his waking life. Sometimes, though, they're not so innocuous:
... a few times in his life he had fuller visions: the experience of them fine-edged and hyperreal - like waking to find himself atop a barely frozen lake, the deep cracking sounding beneath his feet - and those dreams remained long after he woke, reminding themselves to him throughout the days to come, as if the imminent could not wait to become the past, or the present lunged at the future, eager for what would be.
"Snowflake macro: spark" by Alexey Kljativ




When Winkler finds himself in that supermarket line with the woman who drops her magazine - Sandy, literally the woman of his dreams - they both realize that something magnetic is happening between them. An affair begins - all-consuming for Winkler, extra-marital for Sandy. She gets pregnant, they run away from Alaska together. Everything seems (relatively) fine until David has The Dream - where their infant daughter Grace slips from his arms and drowns in a flood. His indecision and general panic over this dream leads him not into a calm, rational conversation with his wife - which presumably could lead to any number of reasonable outcomes - but he convinces himself that the only way to be sure that Grace will not die in the foretold way is if he is taken out of the equation altogether. So he bails. Drives to New York, panics some more, thinking he's entering The Dream, and buys passage on a merchant freighter bound for Caracas, Venezuela. And he goes.

I was actually giving this pitch to someone the other day, funny enough, and she complained that I was giving the whole story away. Not really - this is just Part One & all info you can get off the book jacket, but I'll step back at this point. Winkler lands in the Caribbean where, penniless and alone, he lives not knowing if Grace survived or if Sandy will ever forgive him. It's incredibly heartbreaking. Despite the fact that Winkler is an idiot for most of Act One (and much of 2 and 3, actually) I found myself gradually coming around to his plight. I think I might have been more quickly forgiving of Winkler's faults the first time I read this, but the end result has been the same. See, despite whether or not his dreams are truly prescient, Winkler believes that they are - with every ounce of his soul - therefore... How can we deny him his convictions?  
Who among us, in our lowest hour, can expect to be saved? Have you loved your life? Have you cherished each miraculous breath?
Winkler's abandonment of Grace is understandably always the hangup people have when I tell them what the book is about. We don't like that the main character ditches his family - especially just because of some stupid dream. (I didn't even tell you of Winkler's excruciating inability to just buck up and tell people about his dreams. Gaaaahhh!!!) But despite the madness of this abandonment, his distress at his situation is so visceral, so heartbreaking that I couldn't help but root for him in the end. Don't we all deserve to love and be loved? Everything he does is in service of protecting his family - even if that means leaving them behind, it's the only way he feels he can ensure their safety. And that deserves respect in the end.

Amidst all this drama and emotional button-pushing, the one thing that really stood out for me this time was the sheer beauty of Doerr's writing. Winkler makes photographic prints of snowflakes, fish swim below the glass floor of an island restaurant, flood waters rage down a suburban street - all the imagery is just so vivid and lush. I can't think of another book I've read where all facets are so perfectly realized and come together so clearly in my imagination. Like I've said, reading fiction is often a very personal pursuit and there's clearly just something about this story and the prose that strikes a chord with me. I didn't have the same emotional response to Grace on the second reading, but I think I have a greater appreciation for Doerr's writing itself than before. The structure of the novel was more interesting this time around and I loved that Winkler's dreams were not the dominant core of the story. They guide things along, set things on their track, but the story is about a man who has to deal with the incredibly difficult decisions he has made in his own life. There's a certain beauty to that, I think - the very realness of Winkler's story, despite this weird dream thing he's got going on. It doesn't matter what the dreams tell him, it's about what he does in the waking world that counts.

There's a great sequence where Winkler is hitching a ride with a long-haul trucker who has a record player rigged up in between the seats in his cab. They listen to Sam Cooke as they drive across British Columbia, Winkler pondering the course his life has taken.
"Is this real?" he asked.
"Say what, pardner?" Brent reached to adjust the volume.
"Is this real? What's happening to me?"
Reflectors in the road thwapped beneath the tires, setting a regular, almost reassuring pace. Thwap, thwap, thwap. Hooh! Aah! said Sam Cooke. Brent gave Winkler a curious look.
"Real? It's as real as rain, I guess. Real as Jesus."


*The snowflake image is by the amazing macrophotographer Alexey Kljativ: www.flickr.com/photos/chaoticmind75

Sunday, June 08, 2014

A Year of Reading, Week 23

Books read (all or part of) this week:
About Grace by Anthony Doerr
Eyrie by Tim Winton
The Sea Inside by Philip Hoare
Karate Chop: Stories by Dorthe Nors
The End of Absence by Michael Harris
A Feast For Crows by George R.R. Martin
The Wes Letters by Feliz Lucia Molina, Ben Segal and Brett Zehner

Fits and starts, half-read short stories, pieces of novels, essays, & old books already read. I was all over the place last week - and not just in my reading life. Sometimes the reality of my waking world mirrors my indecision towards which book I settle down with. I'm at a bit of a career crossroads right now, I think, and I'm having a tough time nailing down what it is exactly I want to do with myself. Do I soldier on in my current position, collecting government benefits and a steady paycheck while sacrificing the elements of bookselling that I'm passionate about? (The fact that there is virtually zero chance of anyone I work with reading this blog and realizing that I hate my job should tell you something about the culture there.) Or do I scrap it all and open my own bookstore (with a bar inside, of course) and hope that that niche I think needs filling in San Diego is actually out there? Or do I put everything I have in my tank toward making The Book Catapult San Diego's go-to, outside-the-box literary event coordination machine? Some combination of all of those? Some of those? Good questions.

As for the books, I really was re-reading Anthony Doerr's first novel, About Grace all week to prep myself for our in-conversation event at Warwick's on July 30. (More info here and here.) 
"Am I following a path already laid out for me, or am I making it myself?" 
Mmm-hmm. More on that next week.

But I became distracted late in the week and jumped around from book to book. 5 more pages of Eyrie by Tim Winton before falling asleep one night. A chapter of the new Philip Hoare book while I ate breakfast one morning. Two stories in Dorthe Nors' collection, Karate Chop. (Not going back, I don't think.) 12 pages of The End of Absence by Michael Harris on my walk back to my car after work on Thursday. (Partly because I'm stuck on this idea that we now live in a world without absence or true silence - or just that feeling of unknowing, really. Smartphones with every conceivable answer to every single question reside in all our pockets. We are the last generation to remember life without the crutch of the internet....) 30 pages of The Wes Letters, in preparation for an in-store author event on Friday. (This is an epistolary novel written to filmmaker Wes Anderson, composed by 2 UCSD MFA writing students and a former faculty member.) And little snippets of A Feast For Crows, just because. 

And at the end of the day, I still don't know what to read, just the same as I still don't know what to do with my life. I'm knocking on 39 in a couple of weeks and I'm feeling like I need to just make something fucking happen...

I'm open to ideas, of course.

Sunday, June 01, 2014

A Year of Reading, Week 22

Books read (all or part of) this week:
California by Edan Lepucki

Edan Lepucki's post-apocalyptic debut novel, California was on the docket this past week. It's the near future, society has completely collapsed, and Frida and Cal have been eking out a meager existence somewhere in the wilds east of Los Angeles. We are offered glimpses of super-storms wiping out entire states, pandemics, & massive earthquakes that seem to have destroyed everything familiar. The wealthy elite (ie: the 1%-ers) have created isolated islands of safety zone Communities around the country, only allowing in those who can pay for the privilege. Frida and Cal are not so lucky and living amongst the chaos and urban decay of L.A. eventually became too precarious. So the young married couple decided to strike out on their own, far from anyone else - into the "afterlife," as Frida calls it. 

When Frida figures out that she is pregnant, however, priorities change and perceptions of the world around them alter. Is this solitary existence enough of a world to raise a child in? Is it safe enough? Wouldn't it be better around other people, wherever they are? (There really are not a lot of people anymore, it would seem, and the couple has only encountered five in the two years they've been living in the wilderness.) So they decide to strike out once more, in search of the rumor of a nearby settlement of some of the ragged remnants of humanity. What they eventually find there is altogether unexpected, comfortably utopian, and completely terrifying. 

I can't decide if I really liked this novel, I'll be honest. The set-up was great - I love the mystery of the world-at-large, how did things fall apart, how did we get to where we are - where are Frida and Cal, anyway? Lepucki keeps the fucked-up urban apocalypse of Cal and Frida's past at an arm's length, which only adds tension to their situation - which I appreciated. But Frida seems a bit slow on the uptake at times, which I found distracting. For example: yes, Frida, the color red seems to weirdly be a problem for, like, half of the people you've met. There might be something to that, so pay attention. Maybe that's it - considering the situation, she doesn't seem to pay much attention to, well, anything. Once they are temporarily accepted into a group of fellow survivors, she seems relatively ignorant of people's perceptions of their situation, the importance of Cal's new status (or hers, for that matter) in the community, and how precarious their general existence is. All of which I found annoying. And the degradation (or not?) of her relationship with Cal seems like a forced-through afterthought to me. Once the pair begin interacting with this new community, lies and deception abound between them - and in places I didn't find to be particularly plausible for a married couple who just survived the apocalypse together. Maybe this can be chalked up to Frida's inattention again, but I'm not so sure. Then again, having that marital strife tends to build the tension in their situation to excruciating levels, so maybe it is valid. Maybe I just didn't like Cal or Frida and thus didn't really care what they did or what happened to them? Sigh...

It could be that I'm just a jerk. This is a perfectly fine novel. Lepucki's alternating narratives between Cal and Frida offer interesting perspectives on their situation, despite issues of believability. And her prose is rather sharp and vivid throughout - as far as world-building goes. It just felt to me as if the potential for a groundbreaking post-apocalyptic novel was there, tantalizingly close to the author's fingertips, but it all sort of crumbled as the story progressed. I bought it all at the outset, but the more I got to know everyone, the less I believed anything. If the characters can't hold it together long enough to make me believe while my eyes are on the page, well then.... 

~~~~~~~~~~~~~~~ 

Now, this:


From the June 1 New York Times Book Review. Art by Robert Sikoryak

Monday, May 26, 2014

A Year of Reading, Week 21

Books read (all or part of) this week:
The Shell Collector by Anthony Doerr
A Field Guide to Getting Lost by Rebecca Solnit
The Hour of Lead by Bruce Holbert
A Feast for Crows by George R.R. Martin
Hell at the Breech by Tom Franklin

As I'm sure you're aware, I spent the better part of weeks 19 and 20 freakishly obsessing over David Mitchell's next novel, The Bone Clocks. Seriously, freakishly, obsessing. (See last week's post) Enough so that I could not stay focused on any one book for the week after. Cry me a river, I know. I re-read the title short story out of Tony Doerr's collection The Shell Collector. I dipped in and out of Rebecca Solnit's meditative essay collection, A Field Guide to Getting Lost. ("Some things we have only as long as they remain lost, some things are not lost only so long as they are distant.") I read the opening chapter of Bruce Holbert's (Lonesome Animals) forthcoming novel, The Hour of Lead. An opening chapter, I might add, where a teacher screws a teenaged student in a blizzard while his twin's dead body lies next to them. Errrr.... Maybe later? 

The worst part about all this literary jumping around was the involuntary assumption by my brain that there would be David Mitchell characters in everything I read. Obsessed, I told you. There is no Dr. Marinus in Rebecca Solnit's work. Luisa Rey is definitely not a reporter in a Doerr short story. Stop looking. 

Into the reading wilderness...
So I spent last weekend not reading at all, hiking & camping with friends in the east county of San Diego, well south & east of the wildfires. Maybe this was a cue from Solnit - getting lost a bit, being miles away from any other humans other than the ones I was with. And there's something about seeing the full field of stars at night without the glow of urban light pollution that resets the brain a bit, I think. When I got home, I left DM behind for the moment and finally settled into Tom Franklin's debut novel - which I had never read, despite being a fan of his other work - Hell at the Breech. This proved to finally be the antidote I was looking for. Gritty and atmospheric, Franklin's dark tale (shockingly based on true events) is of the struggle between good, evil, & the very gray area between in 1890s rural Alabama. When a teenager accidentally kills an affluent man from rural Mitchum Beat and covers it up, the subsequent tide carries hell upon the countryside under the guise of vigilantism and civic affront. A group of outraged cotton farmers, blaming the elite from "town," form a secret society called "Hell-at-the-Breech" to punish those they feel are responsible. Following forensic evidence in rural Alabama in the 1890s isn't something that comes easy and Sheriff Billy Waite struggles with both his own moral compass as well as what it tells him about the evidence he's presented with. Caught between both sides of the war is young Mack, who pulled that first trigger and has yet to figure a way out of the blood-soaked insanity that has followed. Franklin's prose shines through all the violence like you wouldn't believe. Just an astoundingly talented writer that I could read over and over again.
...his breath smoking in the blueing dark that seemed to edge down from the clouds and up from the ground, trapping a bleak red line of horizon in the middle, the eye of the world shutting.
~~~~~~~~~~~~~~~

On one other note, I just want to make mention of the Amazon vs Hachette publishing dispute. In case you haven't been following this, Amazon wants new distribution terms from Hachette (parent company of Little, Brown publishing and many other imprints - as well as being Mr. James Patterson's publisher.) When they didn't get what they wanted, Amazon subsequently began a nasty campaign of making things increasingly difficult for consumers to buy Hachette titles from their website. (Forbes reported that the dispute was over Amazon wanting a larger purchasing margin on eBooks which Hachette has balked at.) Shipping times for many new Hachette titles mysteriously went from 2 days to 2-3 weeks, most Hachette books are now available only at full price, rather than deeply discounted as usual, and pre-order options on all their titles have disappeared. Mostly this last element effects sales of J.K. Rowling's (aka "Robert Galbraith's") thriller, Silkworm, on-sale June 19. (Which you may comfortably pre-order from the UC San Diego Bookstore or any other independent at any time.)

What does all this mean for the consumer? Maybe nothing - my guess is that your average reader doesn't pay attention to who publishes whom. But even ignorant Amazon kool-aid drinkers like hack-journalist Farhad Manjoo are finally noticing that something just ain't right about Amazon's intentions - see his NY Times piece from last week, "Amazon's Tactics Confirm Its Critics' Worst Suspicions." (Manjoo wrote an absurd piece in 2011 for Slate titled, "Don't Support Your Local Bookseller." Let's just leave it at that.) Could this be the Fall of Rome? Could it be true that Amazon actually doesn't care about the consumer at all and is just throwing their weight around when they don't get what they want? Could this be the moment where brick & mortar bookstores regain a little traction? Maybe. 

I was happy to see JPatt weighing in on all this - like I said, Hachette is his publisher, so losing that access (and pre-orders) will definitely hurt his gigantic paycheck. Here's his l'il Facebook post on the subject. While I think it's great that he's being vocal about this fight, he's not being vocal enough. You need to remember how much revenue this dude generates and how much influence he truly has out there. He always mentions that "someone needs to step up" in the book industry and fix the problem. I've said it before and I'll say it again: Jim, pull your titles off of Amazon completely if you want to change anything. Stop saying we need an agent of change and be that freakin' agent. Remove the Amazon links from your website if you want to make a difference. Hell, just move them to the bottom of the list of options, for godsake. If eBooks really are signalling the death knell for bookstores, then STOP selling your books as eBooks! Send your millions of fans to those brick & mortar bookstores if you want to save them. You're talking the talk but most definitely NOT walking the walk.

Because as things stand right now, you can still get any Hachette title in any independent bookstore across the country...

Monday, May 19, 2014

The Bone Clocks by David Mitchell

The totally class UK cover
Week 20 of A Year of Reading...

Here's the deal - it's hard not to get excitable and I really, really don't want to ruin anything for you, dear reader, concerning David Mitchell's forthcoming novel, The Bone Clocks (due out September 2, 2014) because you should enter the labyrinth all on your own. I know how pissed I would be if someone spelled the whole thing out for me months before I could get my hands on a copy. Murderous.

Here's what I can comfortably tell you:
If you have read David's previous work and are aware of the "übernovel" he says he is constructing and have uncovered at least some of the hyperlink characters between books... well, then The Bone Clocks will make your freakin' mind explode right out of your head. If you have not read anything by Mitchell, despite the fact that there are many thousands of layers to the backstory of The Bone Clocks, you will become a convert to the Cult of David after this, I assure you. Amazingly, this book is both right in line with everything else Mitchell has ever written and completely unlike anything else he has ever done.

With several forking paths, the book essentially follows the life arc of one Holly Sykes - beginning in Gravesend, England in 1984 when she is 15 and culminating on Ireland's southwestern coast in 2043. On one particular summer afternoon in '84, while Holly is in the midst of running away from home after her boyfriend-universe has imploded, she encounters a strange old woman on a fishing pier. The ensuing conversation, filled with cryptic messages and opaque foreshadows, sets the course of Holly's life in ways she cannot possibly imagine. As it turns out, there's a war going on in the shadows of our world and none of us have any idea.

This is by no means a traditional, linearly threading biography of Holly Sykes, have no fear, friend. For much of the story, Holly appears and disappears, hardly more than a peripheral acquaintance - or so we think. Of course, every interaction, every tiny chance encounter in a David Mitchell novel carries more far-reaching consequences than you can ever see coming. The story jumps to 1991, where Hugo Lamb is studying, conniving, and conning his way through Cambridge University. (You might remember Hugo as the cool cousin of Jason Taylor in Black Swan Green. Hyperlink, y'all.) One of those said chance encounters happens with Holly Sykes in a Swiss Alps resort and sets the course of Hugo's life in ways none of us ever saw coming. A theme, perhaps? A flat-out brilliant sequence of chapters beginning in 2015 and progressing for 5 consecutive years/chapters follows author Crispin Hershey from one book festival to another as his once shining literary star fades into obscurity. (Of course he encounters Timothy Cavendish and discusses Felix Finch at one such event.) His role seems to hang at the fringes of the larger whole that is coalescing... but of course it's more than that.

That's the thing - it's all so much more than the smaller puzzle pieces taken out of context, which is why it's so damn hard to give a taste in this way-pre-publication post without giving up the whole thing. Every storyline, every character arc, every seemingly innocuous encounter ultimately fits together to form the labyrinth that this Holly Sykes finds herself in. And as much as it all works on the level of this one individual novel, the broader strokes across the whole canon are there if we know where to look.

Book Catapult character notes for The Bone Clocks labyrinth
In 2012, in preparation for the Book Catapult's Cloud Atlas event where Scott and I interviewed Mitchell and hosted a screening of the film, I went back and studiously re-read all of DM's books in publishing order. While I did this, I took notes - mostly copious lists of characters, which I then used as cross-referencing for the other books. (I have an unhealthy fascination with the connecting characters between these books and tracing how they thread the whole thing together into the greater whole.) Ahem... for example: several characters from Ghostwritten (essentially a primer for all the rest of the books) appear in Black Swan Green and Cloud Atlas; Luisa Rey is in GW and Cloud Atlas; Eva Crommelynck is a pivotal character in both Cloud Atlas and BSG; and don't for a second think I didn't see Boerhaave in Cloud Atlas and The Thousand Autumns of Jacob de Zoet OR Subhataar in GW and Number9dream, buddy.  

The Bone Clocks, however... this thing completely blows all of that out of the water. 

The sheer number of connecting threads is... astounding. (In fact, as I write this, reading through my notes I realized that I had, in fact, heard the name Mo Muntervary before, but missed the connection on the first pass. Nerd alert.) I have extensive notes on all of this, of course, and I'd love to share my new observations of Luisa, Noakes, d'Arnoq, etc, but... I think it would be better if you uncovered it all yourself. I know I would want to unpeel this onion for myself.

All of this leads to... well, I can't tell you. That would ruin it and, well, we're back to that again. I will say that there's a strong element of magic/sci-fi/fantasy to the overarching story - way more than I've ever noticed in any of Mitchell's previous work. The funny thing is, not only does it work within the scope of the novel itself (even juxtaposed to the straightforward beginning's of Holly's life story) but it makes perfect sense in context to all the previous books as well. How the hell else would Marinus show up in Japan in 1799 and NYC in 2024, I ask you?! Oops. Sorry. 

The bottom line is that strolling along beside all of this interweaving and cross-connecting of characters, is a beautifully human story about this one very normal woman living in quite extraordinary times. And by extraordinary, I'm not just talking about immortal dudes bending time and space - not that that's what happens! - but more so of looking at where we might be - in a very real and global sense - 30 years from now. The most terrifying elements of The Bone Clocks are the ones seated in our own grim reality. Looking towards the chaos of a post-oil future is not a pretty prospect. And yet maybe because of that very real, human aspect, Mitchell is able to continually craft strikingly eloquent sentences on his way toward the construction of this beautiful universe. (Even with all the nerding-out I did over all of this, there's a line on the second-to-last page that just about broke my heart.) I think that point there is the resounding basal element to Mitchell's work - not only can he tie every little narrative filament together, he can knock it all out of the park by stringing together a novel's worth of indelible, graceful sentences that give the reader pause. And that, ultimately, is why I keep reading and re-reading and re-reading...

Okay, well, one last thing, for all you fellow Cloud Atlas nerds out there: the island of the Precients just might be Iceland.

Good night everybody!

Thursday, May 08, 2014

A Year of Reading, Week 19: The Bone Clocks

Robogenesis by Daniel H. Wilson
The Bone Clocks by David Mitchell

This. 

I am reading... 

<-- this.

So far, 300 pages deep, I've encountered a Dr. Marinus, the family "Sykes," Hugo Lamb (and his cousin Jason Taylor), Felix Finch, a d'Arnoq, Mrs. Noakes, a "Thousand Autumns restaurant," Timothy Cavendish, and Luisa Rey, editor of Spyglass magazine. 

If none of that means anything to you, I'm sorry. If it does... breathe into that paperbag, it's going to be okay.

Even halfway through, I can't tell you much of what it's about other than it is as typically brilliant and genre-busting as we've come to expect from Mr. Mitchell. There are multiple timelines - in fact, the manipulation of time & space seems to be the underlying story here - many, many characters that "cross, crisscross, and recross (their) old tracks like figure skaters," and there are dozens of internal references to the "macro-novel" that is the David Mitchell canon. There is a mystical, sci-fi-ish element running throughout that I have yet to sort out - it reminds me a bit of A Wrinkle in Time, if that's any help. I promise to post a full nerd-out review & recap as soon as I'm finished with my first read-through. Because, let's be honest, this isn't the only time I'm going to read this badboy.

The publication date isn't until September 9, 2014 - sorry about that. But hey, the really, really, really good news - if you live in San Diego, especially - is that The Book Catapult is pairing up with Warwick's bookstore and hosting Mr. David Mitchell his own self on September 22. No videotaped conversation this time, people - he will be live and in person, I swear on a stack of Number9Dreams. I'll post more details as they come along, but remember the date - Monday, September 22 - and we will be at the auditorium in the Museum of Contemporary Art in La Jolla.

Monday, May 05, 2014

All the Light We Cannot See

So it's been awhile since the Great Donnybrook of '13, but the Book Catapult's party bus is taking off again, friends.

Wednesday, July 30
7:30pm
Anthony Doerr
In Conversation 
with The Book Catapult
 at Warwick's in La Jolla, CA

As anyone who knows me from my bookselling youth at Warwick's recalls, I've been a big proponent of Anthony Doerr's work for a long, long while now - beginning with his debut novel, About Grace a decade back. He's written two award-winning collections of short stories, (The Shell Collector and Memory Wall) a memoir of his time in Rome, and dozens of essays about everything from butterflies and narwhal to deep space and having too many books to read. His latest novel - ten years in the making - All the Light We Cannot See, is on sale this week and just might be the best piece of writing Tony has produced to date. 
To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air.
Marie-Laure is a 12-year-old blind girl living in Paris with her father at the outbreak of World War II. Her father is the master of locks for the Natural History Museum (dream job!) and once the war begins, he is tasked with keeping the museum's greatest treasure safe from the encroaching German armies. He takes his daughter to the northern walled, seaside town of Saint-Malo to stay with his reclusive uncle, where both Marie-Laure and their precious cargo will be safe. (Well, safer.) Not so far away, yet light years apart, German Werner Pfennig grows up with a fascination for radio and how sound travels through the air. He gets noticed and conscripted into the Hitler Youth and inevitably, the Nazi war machine. How will the lives of these two characters - so vastly different in the lots they've drawn in life - how will they intersect to form the greater whole? The Tony Doerr Voltron. The answer is subtle and graceful, yet hidden in the center of an elaborate labyrinth of humanity that Doerr has created. 

Here's the thing - you can clearly see the narrative filaments that Doerr has laid out for you, set off on their trajectories and you know, deep down, that they will somehow come together down the line. Throughout, as Marie-Laure navigates through her sightless world (that is anything but dark, in actuality) and Werner struggles with the vague morality of his duty as a soldier, you see the threads being gradually drawn together in front of your eyes. The difference is, the moment itself is so fleeting - almost painfully so - that it somehow is all the more awe-inspiring and gorgeous as a result. It left me pondering the impact of all those seemingly innocuous, insignificant moments we have in life and how innocently we may each touch each others lives. Phew.

So, save the date, get a babysitter lined up, hold all your calls - Wednesday, July 30 at 7:30 in the evening at Warwick's bookstore in the La Jolla 'hood of San Diego, Tony and I will be discussing this magnificent All the Light We Cannot See as well as the rest of his work, both past, present, and future. Plus anything else that strikes our fancy. It's a real thing. This isn't some ruse. It's gonna be great. 

If you'd like to buy the book, head over to Warwick's. For godsake, don't do anything dumb like buy it from Amazon or Walmart. It's independent booksellers that are bringing amazing authors like Mr. Doerr to your town, not the big behemoths, so support your local businesses. Thanks.

Friday, May 02, 2014

A Year of Reading, Week Eighteen

Books read (all or part of) this week:
Robogenesis by Daniel H. Wilson
Eyrie by Tim Winton

I started reading Tim Winton's forthcoming novel, Eyrie over the weekend (Winton wrote a favorite of mine, Breath a few years ago - the Catapult review from back in the day) but I deemed it too serious for this particular week, so I swapped it for a book about robots that kill people instead. 

Daniel Wilson has thankfully returned to the world he created for Robopocalypse - a Catapult Notable from 2011, if you recall - although, this particular world is decidedly unfriendly to the human race. Robogenesis is set in the immediate aftermath of Robopocalypse - and you probably should read the first book before you get into this one. (C'mon, people, branch out! Embrace the robots! I continue to be amazed at how well-crafted and intelligent Wilson's books are.) Spoiler alert! -pocalypse ended with the free-minded robot hero Arbiter 902 destroying the wicked AI Archos-14 to free his fellow ro-bros and keep the human race from extinction. Well, maybe he destroyed Archos... Or maybe there's something even worse than Archos out there... The appeal to the first book, to me, was seeing this near-future world of ours overrun with suddenly sentient machinery. Toasters attack! Cars drive themselves off bridges! Toys spout robot propaganda! So far, halfway through, Robogenesis lacks that playfulness - simply because the endgame to Robopocalypse resulted in a post-Armageddon wasteland where most people were dead. Good times! But Wilson is a creative fellow, I'll give him that - and where I thought the first book was a finale, he's managed to rope me back in and make his world darker and scarier in the aftermath of the horrific robot war. 

Honestly, this week - and many other previous weeks - my world has been all about California Bookstore Day. This approaching Saturday, May 3rd - if you live in San Diego or really, anywhere in CA where there's an independent bookstore, you should really check things out. (We got a great mention in San Diego CityBeat this week, featuring words from my own mouth.) Almost 100 indie stores in the state are throwing literary parties to beat the band. I know I've mentioned all this before, but just as a reminder, since I KNOW you're coming: at the UC San Diego Bookstore, we are hosting performance artist and novelist, Scotch Wichmann at 12:30. Scotch had the misfortune (or fortune, depending on how you look at it) to have hack-actor Shia Laboeuf plagiarize his performance art manifesto in a series of Twitter posts back in January. Shia then staged a bullshit, mock apology/performance piece called #iamsorry in an LA gallery wearing a paper bag over his head that read "I am not famous anymore" on it. Scotch staged his own protest outside said gallery on the street:



Scotch will be discussing performance art and reading a bit from his debut novel, fresh out from Freakshow Books, called Two Performance Artists Kidnap Their Boss and Do Things With Him. I'm pretty sure that this will be unlike any author reading you've seen of late.

Then at 2:00, the hilarious Jincy Willett will discuss and sign her latest novel, Amy Falls Down. Jincy is a San Diego res and is currently teaching a novel writing class at UCSD Extension - she's also going to talk a little about the writing process. Did I mention she's really funny?

Plus, Killer Street Tacos for the lunch rush, live music all over the place, an open mic session for you to read your own performance art manifestos, a special Coffee & Book Chat with yours truly where I will introduce you to all the ridiculously amazing CBD-only items we'll have for sale, a California-themed storytime & craft session for kids, and all general books (except the CBD merchandise) will be 25% off all day. See you Saturday!