From Carlos Fonseca comes a dazzling, kaleidoscopic epic of art, politics, and hidden realities
Just before the dawn of the new millennium, a curator at a New Jersey museum of natural history receives an unusual invitation from a celebrated fashion designer. She shares the curator's fascination with the hidden forms of the animal kingdom—with camouflage and subterfuge—and she proposes that they collaborate on an exhibition, the form of which itself remains largely obscure, even as they enter into a strange relationship marked by evasion and elision.
Seven years later, after the death of the designer, the curator recovers the archive of their never-completed project. During a long night of insomnia, he finds within the archive a series of clues to the true story of the designer’s family, a mind-bending puzzle that winds from Haifa, Israel, to bohemian 1970s New York to the Latin American jungle. On the way, he discovers a cast of characters whose own fixations interrogate the unstable frontiers between art, science, politics, and religion: an aging photographer, living nearly alone in an abandoned mining town where subterranean fires rage without end, who creates models of ruined cities; a former model turned conceptual artist—and a defendant in a trial over the very nature and purpose of art; a young indigenous boy who has received a vision of the end of the world. Reality is a curtain, as the curator realizes, and to draw it back is to reveal the theater of obsession.
Natural History is the portrait of a world trapped between faith and irony, between tragedy and farce. A defiantly contemporary and impressively ambitious novel in the tradition of Italo Calvino and Ricardo Piglia, it confirms Carlos Fonseca as one of the most daring writers of his generation.
“In a calm and lyrical tone, Carlos Fonseca’s works ambitiously seek to incorporate everything. They flirt with unified theories and take joy in connecting ideas in unexpected ways, his protagonists often losing themselves in beguiling mental labyrinths of their own making . . . It is this very bravery that makes it such a pleasure to read his intellectual thrillers about art, nature, and the quest to remake oneself. Fonseca is doing astonishing things with literary form.”
—Jessica Sequeira, Los Angeles Review of Books
"Fonseca is arguably one of the leading Latin American stylists of his generation, and Natural History fundamentally testifies to his belief in writing. At a time of extraordinary accumulation of information, one can think of Natural History as an attempt to redeem the task of writing by placing the creative moment at the center of its polyphony. Is there any greater purpose for literature?” —Diego Azurdia, Music & Literature
“[Natural History] often reminds one of Roberto Bolaño’s masterpiece 2666 . . . A conceptual detective fiction in the tradition of Ricardo Piglia or Don DeLillo . . . [Fonseca maintains] a rhythm that keeps us in suspense for the entire length of this singular narrative. . . . Within this complex game of Russian dolls that Fonseca has constructed, nothing remains more fascinating and enthralling than the experience of reading it.” —Enrique D. Zattara, 3:AM Magazine
"Carlos Fonseca unspools a genre-defying, literary puzzle of a novel. Propelled forward by exquisite prose, the book is a credit to translator Megan McDowell as well as to the author." —Christian Science Monitor
"For readers interested in climate change and the natural world—but who prefer books a little less on the nose—Natural History offers a layered and at times wonderfully beguiling story about art, history, and mystery that hops generations. Animal lovers will delight at the protagonist’s obsession with creaturely furtiveness and wild animals’ natural ability to self-camouflage. And fans of ambitious structure-benders like Italo Calvino will appreciate the novel’s planet-and decade-spanning mystery that connects 1970s New York to the jungles of Latin America." —Amy Brady, Lit Hub
“Everything is contingent in Fonseca’s story, and nothing is quite to be trusted . . . [Natural History] is an elegant meditation on art, inconstancy, and hiding . . . A treat for fans of Cortázar, Bolaño, and other adepts of the literary enigma.” —Kirkus Reviews (starred review)
“Fonseca’s inventive, complex tale reads like a literary onion, constantly revealing new narratives and layers of meaning . . .The various characters’ perspectives blur the line between memory and fantasy, and their charm will keep readers along for the very intricate ride. Fonseca’s innovative puzzle box of a novel packs a powerful punch.” —Publishers Weekly (starred review)
“Rising star Fonseca’s new novel [is] a literary tour de force, impressively translated by Megan McDowell . . . Fonseca's challenging and transcendent novel offers a prescient message about media fabrications and the unreliability of history.” —Booklist
“Fonseca’s inventive and distinctive style is a delight that serves up narrative twists at every turn of the page.” —The Daily Beast (“The Best Summer Reads of 2020”)
“Fiercely intelligent and wildly imaginative—a fever dream of a novel, rich and strange.” —Carys Davies, author of West
"Like a certain map that appears in its pages, a map in which two versions of a city are superimposed on one another, Natural History reveals a strange reality that lives in the shadows of our own. Carlos Fonseca has written a wonderful, wildly ambitious book that builds a labyrinth from art, politics, religion, love, and obsession." —Chris Power, author of Mothers
"Natural History is a deeply thoughtful, bold, and kaleidoscopic novel, one that, with great audacity and even greater beauty, invites reflection about the weight of legacies and about the masks that make up what we call identity." —Alia Trabucco Zerán, author of The Remainder
"Carlos Fonseca is one of the most gifted and imaginative young novelists in Latin America today." —Chloe Aridjis, author of Sea Monsters
"With Natural History, Carlos Fonseca, a writer of archives, masks, and ruins—that is, a writer with the capacity to create new ways of thinking, an ingenious and obstinate explorer of the abyss—has cemented himself as one of my favorites." —Enrique Vila-Matas, author of the International Booker Prize–longlisted Mac and His Problem