A spirited, engaging investigation into the concept of character, an enduring human obsession in literature, psychology, politics, and everyday life
What is “character”? How can it be measured, improved, or built? Are character traits fixed or changeable? Is character innate, or can it be taught?
Since at least the time of Aristotle, philosophers, theologians, moralists, artists, and scientists have engaged with the enigma of human character. In its oldest usage, “character” derives from a word for engraving or stamping, yet over time, it has come to mean a moral idea, a type, a literary persona, and a physical or physiological manifestation, observable in works of art and scientific experiments. It is an essential term in drama and the focus of self-help books.
In Character: The History of a Cultural Obsession, Marjorie Garber points out that character seems more relevant than ever today—the term is omnipresent in discussions of politics, ethics, gender, morality, and the psyche. References to character flaws, character issues, character assassination, and allegations of “bad” and “good” character are inescapable in the media and in contemporary political debates.
What connection does “character,” in this moral or ethical sense, have with the concept of a character in a novel or a play? Do our notions about fictional characters help to produce our ideas about moral character? Can character be formed, or taught, in schools, in scouting, in the home? From Plutarch to John Stuart Mill, from Shakespeare to Darwin, from Theophrastus to Freud, from nineteenth-century phrenology to twenty-first-century brain scans, the search for the sources and components of human character still preoccupies us.
The question of character arises in virtually every area of modern life. And in each case, there is the same fundamental tension: is it innate or intrinsic to the individual, or something that can be learned or modeled? At a time when both the meaning and the value of this term are put in question, no issue is more important, and no topic more vital, surprising, and fascinating.
With her distinctive verve, humor, and vast erudition, Marjorie Garber explores the stakes of these conflations, confusions, and heritages, from ancient Greece to the present day.
“Can an examination of the single word ‘character’ sustain a book of 383 pages and another 40-odd pages of endnotes? Turns out it can, and does so brilliantly in Marjorie Garber’s magisterial book . . . Scholarly by training and savvy by instinct, she writes without any of the dampening jargon now common in academic prose and with an impressive respect for the complexity of her subject.” —Joseph Epstein, The Wall Street Journal
"Encyclopedic, eclectic, and swift moving . . . Character explores not only the linguistic and ethical but also the sociological, psychological, scientific, and pseudoscientific dimensions of its subject . . . Garber is especially good on the intersection of character and gender, in particular on the relationship traditionally asserted between the cultivation of character and ideas of masculine honor." —Elizabeth Samet, The American Scholar
"Hectic and absorbing . . . Garber is at her most fluent and thorough . . . [as she] draws out how the ideology of empire infused the philosophy of the Boy Scouts — to tame oneself before taming the world." —Parul Sehgal, The New York Times Book Review
“While sophisticated and filled to the brim with academic references, Garber’s book effectively makes the content accessible and interesting. Character exemplifies Garber’s many areas of expertise, interacting well with other works to ultimately leave readers with a clarified perspective and new method of analyzing the complicated workings of society.” —Nina M. Foster, The Harvard Crimson
"Erudite, illuminating . . . A capacious overview of an enduring human value." —Kirkus
“What is the relation between having character and being a character, or between character and personality? In this immensely wide-ranging exploration of the notion of character in all its varieties, from the Greeks to Brett Kavanaugh and President Trump, Marjorie Garber shows herself to be our most engaging and perspicuous cultural critic, with fascinating evidence about questions that are crucial to our ways of thinking about human values." —Jonathan Culler, Class of 1916 Chair of English and Comparative Literature, Cornell University