This is book number 2 in the A Hawthorne and Horowitz Mystery series.
“I really love this series by Anthony Horowitz. The mystery behind the murders is so expertly plotted and layered that you could make a case for any suspect. In this book, a divorce lawyer is found dead in his home after being beaten over the head with a VERY expensive bottle of wine, and the number 182 is painted on his wall. When Private Investigator Daniel Hawthorne drives onto the set of Horowitz’s TV show shoot, Horowitz has no choice but to follow his lead and write about the case. As always, I’m anxiously awaiting the next in this series.”
— Nichole Cousins, White Birch Books, North Conway, NH
“Private investigator Daniel Hawthorne has a new case, so he tracks down Anthony Horowitz to be his sidekick and write up the notes for their three-book deal as he investigates. Richard Pryce, a highly sought-after divorce attorney known for both his well-publicized success and his strict ethics, was bludgeoned to death with an excessively expensive bottle of wine, a 1982 Chateau Lafite worth thousands — high-priced and odd murder weapon. By all accounts he was a prince of a guy, yet he was in a field riddled with high emotions and grudges. Hawthorne, the curmudgeonly detective, will get to the bottom of the case, and Horowitz will write a rip-snorting yarn exposing the guilty.”
— Deon Stonehouse, Sunriver Books & Music, Sunriver, OR
New York Times–bestselling author Anthony Horowitz and eccentric detective Daniel Hawthorne team up again in a new mystery, the sequel to the brilliantly inventive The Word Is Murder, to delve deep into the killing of a high-profile divorce lawyer and the death, only a day earlier, of his one-time friend.
“You shouldn’t be here. It’s too late . . . “
These, heard over the phone, were the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death in his bachelor pad with a bottle of wine—a 1982 Chateau Lafite worth £3,000, to be precise.
Odd, considering he didn’t drink. Why this bottle? And why those words? And why was a three-digit number painted on the wall by the killer? And, most importantly, which of the man’s many, many enemies did the deed?
Baffled, the police are forced to bring in Private Investigator Daniel Hawthorne and his sidekick, the author Anthony, who’s really getting rather good at this murder investigation business.
But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realizes that these secrets must be exposed—even at the risk of death . . .
ANTHONY HOROWITZ is the author of the US bestselling Magpie Murders and The Word is Murder, and one of the most prolific and successful writers in the English language; he may have committed more (fictional) murders than any other living author. His novel Trigger Mortis features original material from Ian Fleming. His most recent Sherlock Holmes novel, Moriarty, is a reader favorite; and his bestselling Alex Rider series for young adults has sold more than 19 million copies worldwide. As a TV screenwriter, he created both Midsomer Murders and the BAFTA-winning Foyle’s War on PBS. Horowitz regularly contributes to a wide variety of national newspapers and magazines, and in January 2014 was awarded an OBE.
“Fans of traditional puzzle mysteries will be enthralled.” — Publishers Weekly (starred review)
“Horowitz succeeds on all levels with book two in the Detective Daniel Hawthorne series . . . the overall voice of the series is fresh and original, Horowitz writing with the effortless élan that distinguishes all his work.” — Booklist
“Except for Jeffrey Deaver and Sophie Hannah, no one currently working the field has anywhere near this much ingenuity to burn.” — Kirkus Reviews
“The Sentence Is Death . . . may just be one of summer’s greatest, guiltiest pleasures . . . Pray for solitary confinement, because you’ll want to read this one straight through and uninterrupted.” — New York Journal of Books
“Horowitz mimics Golden Age authors (Christie, Allingham, Marsh, Sayers) so well in his books' scope and denouéments that fans of both puzzle and cozy mysteries will savor the balance of clues.” — NPR
“The Sentence Is Death is...fast-paced, lively ... there are twists and turns and unexpected developments. The fact-fiction blurring continues to the last page.” — Minneapolis Star Tribune
“Horowitz shows no signs of ceding the spotlight. He’s having too much fun and, as a result, so are his readers.” — Los Angeles Book Review